Sex and Modern Communications

I am often embarrassed when I am watching what is rated as a “G” or
“PG” movie with my grandchildren when the language becomes questionable
and bare bodies fill the screen in some form of tortuous embrace. Before
it gets really raunchy, I just turn it off. However, I am always
concerned about the aftermath; often angry that my grandchildren should
be exposed to such perversion of a communication media. There is no need
for sexual innuendos – implicit or explicit – or for foul language in
order to be dramatic, novel, and entertaining.
It seems that no
matter where we turn, there are bodies in various states of undress on
the screen – whether of a large scale video receiver or of a cell
phone. It has been estimated that as many as 25% of the commercial
websites are pornographic, a figure which quite frankly I found hard to
believe; or perhaps I don’t want to believe it. It seems that every
writer must use four letter words – even if they become seven letter
words with the appendage of “ing” – for dramatic effect. The same is
true, of course, of many video series and motion pictures. Such language
has even penetrated the board room and business meetings.
There
is nothing of that nature in the musicals “Les Miserables”, “Phantom of
the Opera”, “My Fair Lady”, or “The Sound of Music” to name a few. There
is no such language or risqué sex in any of the works of George Bernard
Shaw, Victor Hugo, Ernest Hemingway, John Steinbeck, Edgar Allen Poe,
and on and on. The classic movies produced by Alfred Hitchcock and John
Ford must be included in these artistic masterpieces that eschewed
random explicit sex. The great masters in paint – Monet, Rembrandt, El
Greco, and the like – certainly did not depict explicit erotic sexual
encounters.
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And yet, sex is present in all of these works of art
in any media. That is the sex of love between persons, a love associated
with the character of the person and their relationship growth and
actions. Certainly embracing and kissing are part of the human
relationship of two people. Going beyond that is an intrusion of
personal privacy, good taste, and unnecessary pandering to the baser
instincts of people.
It is certainly possible to write a novel
that includes a growing love and affection of two people as part of the
development of their characters without resorting to the use of foul
language or to inappropriate descriptions of sexual encounters.
Sex
is sacred. It is part of our two gender human nature, and part of the
procreation of life. Sex also must include a sense of responsibility,
decency, and respect for other people. Sex is fun and the center of
demonstrating love; it is not a voyeur sport or a business product. It
is possible to produce a high quality, successful, and entertaining work
of art, whether a novel, a play, a movie script, or painting, that I
can view in my living room with my young grandchildren.
